|
|
|
|
|
The Death of Orpheus
Painting ID:: 42355
|
Albrecht Durer
The Death of Orpheus
mk168
288x225mm
|
| |
|
|
|
|
|
|
|
|
|
The Death of Orpheus
Painting ID:: 42356
|
Albrecht Durer
The Death of Orpheus
mk168
145x216mm
|
| |
|
|
|
|
|
|
|
|
|
The Suicide of Lucretia
Painting ID:: 42357
|
Albrecht Durer
The Suicide of Lucretia
mk168
168x75cm
|
| |
|
|
|
|
|
|
|
|
|
The Great Ture
Painting ID:: 42358
|
Albrecht Durer
The Great Ture
mk168
410x315mm
|
| |
|
|
|
|
|
|
|
|
|
A Nosegay of Violets
Painting ID:: 42359
|
Albrecht Durer
A Nosegay of Violets
mk168
117x104mm
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Albrecht Durer
|
|
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. |
|
Related Artists::.
| BORRASSA, Lluis | LOO, Carle van | Robert Reid | |
|
